SHOSYS ACADEMY 11 TEST: Conventions Of Melody, Texture And Form

SHOSYS ACADEMY 11 TEST: Conventions Of Melody, Texture And Form

Kelvin Sholar

1 Introduction To The Blog Series

This series of lessons and tests incorporates an easy music appreciation curriculum for adult beginners who are remote learning, or are self-taught. Lessons are posted on Mondays while Tests are posted on Saturdays. For more in depth and private guidance, I offer personal instruction by Zoom (Personal Meeting ID 8522954569) – for 1 dollar a minute. Time schedules range from a minimum of 30 minutes to a maximum of 60 minutes. Email me at [email protected] to set up personal instruction. I accept payments and cash gifts by Cash App ($KelvinSholar), Zelle ([email protected]) or Paypal (paypal.me/kelvinsholar).

2 Testing Recall Of Conventions Of Melody, Texture And Form

In Lesson 11, we learned about conventions of melody, texture and form. Here in this Test, remembrance is assessed; the primary task for the student is to find cues in test questions that make it easy to remember answers. There may be more than one correct answer for a given test question. Correct answers are given at the end of this test.

2.1 Test Questions

1. Melody is a series of single tones ____ that add up to a recognizable whole:

a). in space

b). in time

 

2. Melodies are composed by taking a set of tones and placing them in time:

a). simultaneously

b). sequentially

 

3. The distances between melody tones are called:

a). repetitions

b). steps

c). leaps

 

4. The harmonic range of a melody is the:

a). distance between the lowest and highest tones

b). distance between the first and last tones

 

5. Instrumental melodies often have a greater range than melodies written for:

a). human voices

b). drums

 

6. When melodies are performed by voices, then words may be used in the form of:

a). sung poetry

b). prose

c). wordless

 

7. Long melodies can be decomposed into:

a). words

b). phrases

c). clauses

 

8. Phrases can be determined by:

a). composers

b). breaths

c). motions

 

9. A cadence exists where a phrase

a). begins

b). ends

 

10. A sequence is when a rhythmic pattern is:

a). not repeated using different tones

b). repeated using different tones

 

11. Lowercase letters:

a). describe smaller phrases

b) larger sections of a melody

 

12. Uppercase letters:

a). describe smaller phrases

b) larger sections of a melody

 

13. A prime mark is used to denote a:

a). exact repetition of phrase or longer section

b). varied repetition of phrase or longer section

 

14. When “Mary Had A Little Lamb” is divided into two parts, then we can describe the first part as setting up a:

a). tension

b). release

 

15. When “Mary Had A Little Lamb” is divided into two parts, then we can describe the second part as setting up a:

a). tension

b). release

 

16. When the phrases of “Mary Had A Little Lamb” are analyzed into a “call and response” pattern, then:

a). phrase a is the call which is answered by phrase b as the response

b). phrase b is the call which is answered by phrase a as the response

c). phrase a’ is the call which is answered by phrase c as the response

d). phrase c is the call which is answered by phrase a’ as the response

 

17. True symmetry concerns:

a). a varied repetition

b). an exact repetition

 

18. There are two basic types of form in Western music:

a). unary

b). binary

c). ternary

 

19. A binary form occurs when a melody has ____ different sections:

a). two

b). three

 

20. In a binary form the B part is called the:

a). theme

b). variation

c). contrast

 

21. In a ternary form the B part is called the:

a). theme

b). variation

c). contrast

 

22. Ternary forms include:

a). A B C

b). A B A

c). A B A’

 

23. Musical texture is:

a). how many different layers of sound are heard at once

b. how many different layers of silence are heard at once

c). what kind of layers of sound

d). how layers of sound relate to each other

 

24. Monophonic textures have:

a). a single melodic line

b). two or more melodic lines at the same time

c). a single melodic line with chordal accompaniment

 

25. Polyphonic textures have:

a). a single melodic line

b). two or more melodic lines at the same time

c). a single melodic line with chordal accompaniment

 

26. Homophonic textures have:

a). a single melodic line

b). two or more melodic lines at the same time

c). a single melodic line with chordal accompaniment

 

3 Test Answers

1. Melody is a series of single tones ____ that add up to a recognizable whole:

b). in time

 

2. Melodies are composed by taking a set of tones and placing them in time:

a). simultaneously

b). sequentially

 

3. The distances between melody tones are called:

a). repetitions

b). steps

c). leaps

 

4. The harmonic range of a melody is the:

a). distance between the lowest and highest tones

 

5. Instrumental melodies often have a greater range than melodies written for:

a). human voices

 

6. When melodies are performed by voices, then words may be used in the form of:

a). sung poetry

b). prose

c). wordless

 

7. Long melodies can be decomposed into:

b). phrases

 

8. Phrases can be determined by:

b). breaths

c). motions

 

9. A cadence exists where a phrase

b). ends

 

10. A sequence is when a rhythmic pattern is:

b). repeated using different tones

 

11. Lowercase letters:

a). describe smaller phrases

 

12. Uppercase letters:

b) larger sections of a melody

 

13. A prime mark is used to denote a:

b). varied repetition of phrase or longer section

 

14. When “Mary Had A Little Lamb” is divided into two parts, then we can describe the first part as setting up a:

a). tension

 

15. When “Mary Had A Little Lamb” is divided into two parts, then we can describe the second part as setting up a:

b). release

 

16. When the phrases of “Mary Had A Little Lamb” are analyzed into a “call and response” pattern, then:

a). phrase a is the call which is answered by phrase b as the response

c). phrase a’ is the call which is answered by phrase c as the response

 

17. True symmetry concerns:

b). an exact repetition

 

18. There are two basic types of form in Western music:

b). binary

c). ternary

 

19. A binary form occurs when a melody has ____ different sections:

a). two

 

20. In a binary form the B part is called the:

b). variation

 

21. In a ternary form the B part is called the:

c). contrast

 

22. Ternary forms include:

b). A B A

c). A B A’

 

23. Musical texture is:

a). how many different layers of sound are heard at once

c). what kind of layers of sound

d). how layers of sound relate to each other

 

24. Monophonic textures have:

a). a single melodic line

 

25. Polyphonic textures have:

b). two or more melodic lines at the same time

 

26. Homophonic textures have:

c). a single melodic line with chordal accompaniment

 

4 Bibliography

Bloom, B. S.; Engelhart, M. D.; Furst, E. J.; Hill, W. H.; Krathwohl, D. R. Taxonomy Of Educational Objectives: The Classification Of Educational Goals. Handbook I: Cognitive Domain. New York: David McKay Company, 1956

Kamien, Roger. Music: An Appreciation. New York: McGraw-Hill Education, 2018

Miller, Michael. The Complete Idiots Gude To Music Theory. New York: Alpha Books, 2005